aimedforthemoon: (morning after)
Prelude
Part One: in which a bored god meets a reckless pilot and makes her an offer (she left a note)
Part Two: in which the trap is sprung, the conditions agreed, and he takes her home.
Part Three: in which she spends time in the forge
Part Four: in which she takes a gamble, stands her ground, and surprises a god
Part Five: in which the question is asked - what does it mean to be Yesfir Shostakovna?
*Part Six: in which she dies for the second time and is brought back to life*
Part Seven: in which she wakes
Conclusion

*Contains: ritual strangulation, reliving of death by carbon dioxide poisoning, animal sacrifice and ritual self-injury*

So, as of this plot, Esfir is now functionally alive/immortal. Should she 'die' again, Weyland can just reset her unless she asks otherwise. Her metabolism also works twice as fast, with the appetite to match. If your character is psychically sensitive, they may pick up something unnatural about her and/or the fact that Weyland has claim over her soul - the latter would be more of a vague, weird feeling that wouldn't make much sense unless they've also met [livejournal.com profile] mechanicalswans.

The symbol holding her together is a bindrune (her initials interlocked), stainless steel, and is impossible to remove without cutting Esfir to pieces. It's over her heart, slightly shorter than her thumb, and is the same level as her skin - while it could be seen under thin, pale shirts, it isn't raised at all. For how it'd look without her shirt, refer here.

Any questions, just ping me at lamorgne on AIM or comment here.

third day

Sep. 15th, 2008 01:28 pm
aimedforthemoon: (fierce)
The third day is spent much as the second: in forge.
Nine days," he says. "Nine days you will spend with me, one for each of the nine years my wife and I were together.
She's making a bird, adapted from the model planes Esfir knows so well. The radio part is easy; making it look like a swan is not. Still, she's talented, and has been throwing herself into it, and things are coming together.
You cannot escape
The swan is for not her, not for him, but for the lovely, silent woman Weyland keeps around.
and you cannot ask me to let you go.
(only half of it is because he asked to be surprised)

You will not return to the bar during those nine days
But after so many hours, her heart isn't in it anymore. She looks up, rubs the back of her neck (ignoring the oil and grime on her hands)

(nine days)

and suddenly stares at him, eyes narrowed.

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July 2010

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